Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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Frederic E.Church Horseshor Falls,Niagara oil


Horseshor Falls,Niagara
Painting ID::  26203 		Horseshor Falls,Niagara
mk48 1856-57 Oil on two pieces of paper joined 11 1/2x35 5/8in Olana State Historic Site,New York State Office of Parks,Recreation and Historic Preservation
   
   
     
Frederic E.Church Niagara oil


Niagara
Painting ID::  26204 		Niagara
mk48 1857 Oil on canvas 42 1/2x90 1/2in Corcoran Gallery of Art, Washington,D.C.,Museum Purchase,Gallery Fund
   
   
     
Frederic E.Church Palm Tres and Housetops,Ecuador oil


Palm Tres and Housetops,Ecuador
Painting ID::  26205 		Palm Tres and Housetops,Ecuador
mk48 may 1857 Brush and oil paint,traces of graphite on thin paperboard 13 15/16x11 1/2in Cooper-Hewitt,National Design Museum,Smithsonian Institusion,Gift of Louis P.Church
   
   
     
Frederic E.Church View of Cotopaxi oil


View of Cotopaxi
Painting ID::  26206 		View of Cotopaxi
mk48 1857 Oil on canvas 24 1/2x36 1/2in The Art Institute of Chicago,Gift of Jennette Hamlin in Memory of Mr.and Mrs.Louis Dana Webster
   
   
     
Frederic E.Church Mount Chimborazo,Ecuador oil


Mount Chimborazo,Ecuador
Painting ID::  26207 		Mount Chimborazo,Ecuador
mk48 May-june 1857 Brush and oil paint,graphite on thin paperboard 9 1/16x17 1/2in Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
   
   
     
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     Frederic E.Church
     1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.

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